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Interstellar endurance spin movie#
Interstellar endurance spin full#
Interstellar endurance spin crack#

Interstellar endurance spin movie#

One of the most impressive visuals in a movie FILLED with impressive visuals, and they actually MADE it in real life.

Any other director would have just had Matthew McConaughey on wires in front of a green screen and make the set digitally. It's a practical set that used CGI mostly to tessellate it to infinity.

What's even more amazing about the Tesseract? THEY BUILT IT.

Cooper toggling a "wave bar(?)" to manipulate one of the hands on adult Murph's watch to tell her the gravity data in Morse code.

It's just such mind-blowing, trippy imagery as only Nolan could do.

The way in which the tesseract displays every single moment of Murph as a young girl and as an adult walking around in her room as separate 3-dimensional constructs.

Interstellar endurance spin crack#

It is what enables Cooper to send the necessary data for Professor Brand's gravity equation to Murph to successfully crack the equation, and save humanity. The 5th Dimension ( no, not that one): Or at least how it's translated in 3-dimensional space as a hyper-cubic, grid-like tesseract composed of perpendicular, time-bending gravity waves ( or something like that) inside the black hole created by the "Bulk Beings" who transcend 3-D perception of time and space.Mann stealing the Endurance, due to the latter robot's low trust settings. CASE casually reveals that TARS turned off the auto-docking to prevent Dr.Murph torching Tom's crops to draw him out and save Tom's family from himself.

Interstellar endurance spin full#

Up until then, CASE seemed like a clumsy, slow and blocky robot, but it suddenly makes full use of its shape-changing features, displays amazing moving speeds through the water and saves Brand in a flash. Except Brand gets stuck under a piece of debris while trying to recover the data log, so Doyle orders CASE to go save her.

While on Miller's planet, Cooper sees a tsunami is coming their way and orders Brand and Doyle to return to the shuttle.

So that scene, at least as of 2014, really is our best guess as to what it would actually look like. Renowned theoretical physicist, Kip Thorne himself provided the most up-to-date mathematical models and equations to the VFX department.

When the astronauts first go through the wormhole and soar through infinite space, the imagery, mixed with the score, is fantastic.

Genius Bonus: There actually are massive Earth-sized thunderstorms happening within Saturn. Blending powerful sounds of nature with the majesty of the cosmos. Special mention should go to the segment where they impose ambient noise from a thunderstorm against the image of the ship flying by Saturn. There is just enough time on this shot to allow all this to sink in. Even though they're all still alive at that point, there is still such a profound sense of isolation and insignificance-and they still have so far to go.

The long, empty shot of the crew drifting past Saturn.

Never has something so terrifying looked so beautiful.